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""𝐇𝐞 𝐍𝐞𝐚𝐫𝐥𝐲 𝐅𝐚𝐢𝐥𝐞𝐝 𝐄𝐯𝐞𝐫𝐲 𝐒𝐞𝐦𝐞𝐬𝐭𝐞𝐫. 𝐓𝐨𝐝𝐚𝐲 𝐇𝐞 𝐎𝐰𝐧𝐬 𝐭𝐡𝐞 𝐂𝐨𝐦𝐩𝐚𝐧𝐲 𝐖𝐞 𝐖𝐨𝐫𝐤 𝐅𝐨𝐫.We called him Mongo.Not his real name, of cours...
23/04/2026

""𝐇𝐞 𝐍𝐞𝐚𝐫𝐥𝐲 𝐅𝐚𝐢𝐥𝐞𝐝 𝐄𝐯𝐞𝐫𝐲 𝐒𝐞𝐦𝐞𝐬𝐭𝐞𝐫. 𝐓𝐨𝐝𝐚𝐲 𝐇𝐞 𝐎𝐰𝐧𝐬 𝐭𝐡𝐞 𝐂𝐨𝐦𝐩𝐚𝐧𝐲 𝐖𝐞 𝐖𝐨𝐫𝐤 𝐅𝐨𝐫.

We called him Mongo.
Not his real name, of course. His real name was Blaise Mongo Essomba, but nobody in our cycle used "Blaise." That felt too respectful for someone like him. Mongo was enough. Short, dismissive — exactly how we saw him.
Patrick and I gave him that nickname in our first year of the engineering cycle, sometime around the third week of lectures when Mongo stood up to answer a question from Dr. Hamidou during an Environmental Systems module and said — with full chest confidence — that biological oxygen demand was "the oxygen that living things demand when they are tired."
The entire amphitheatre collapsed.
Even Dr. Hamidou turned toward the board to hide his face.
Patrick leaned over and whispered, "This one passed the concours by accident." I nodded. We both laughed until our ribs hurt.
That was 2011.
I am telling you this story from my one-bedroom apartment in Ngaoundéré town in 2024, where I share a mattress with my younger brother because I cannot afford a second bed. Patrick called me last week from Douala. He had not eaten a proper meal in two days.
And Mongo?
Mongo just completed his second house.
PART ONE — The Dullest Engineer in the Cycle
Let me paint you the picture properly so you understand.
To enter ENSAI Ngaoundéré, you must survive the national concours — one of the most punishing competitive entrance exams in Cameroon. Thousands sit. A few hundred enter. It is not a place for average minds, or so we believed.
Patrick Nguele and I were the acknowledged stars of our cohort. I had ranked in the top fifteen nationally in the concours. Patrick had come from a Classes Préparatoires background in Yaoundé — two brutal years of mathematics and physics that sharpened a man like a blade. We sat in the front row. We answered questions before they were fully asked. Lecturers nodded when they saw our names on answer sheets.
Mongo sat at the back.
Always at the back, near the window that faced the mango tree, with a cheap Pilot biro that had no cap and a notebook that looked like it had been rescued from a flood. He wrote slowly. He asked slow, basic questions — the kind that made other students shift in their seats with secondhand embarrassment.
What irritated us most was that Mongo had somehow passed the same concours we passed. Same exam. Same day. How? Patrick had a theory involving "some arrangement from his village." I laughed and agreed, because it was easier than accepting that the concours was simply unpredictable.
During group project work, Patrick and I would finish our sections in one evening. Mongo would still be "thinking about the problem statement" two days later.
We stopped including him in group work by the second semester.
"He will drag down the final report," Patrick said. I did not disagree.
What made it worse was Mongo's unbothered energy. He didn't fight for grades the way we did. He didn't stay in the library until midnight. He wasn't chasing professors for clarifications or re-reading lecture notes three times over. He moved through the programme slowly, like a man walking in rain who has already accepted that he will get wet.
At the end of year one, Patrick and I posted the top two scores in the cohort. Mongo passed — but just barely. We celebrated. We did not invite him.
By second year, Patrick had started calling him "l'ingénieur de secours" — the emergency engineer. As in, the one who squeezed through so real engineers could feel better about themselves. Everyone laughed. Even students who had never spoken to Mongo laughed, because laughing at Mongo was a kind of social currency in our corridor.
He never reacted badly. He would just look at whoever was laughing with those calm, heavy-lidded eyes — and nod slowly. Like he was filing the moment away somewhere deep.
I should have understood what that nod meant.
I did not.
PART TWO — The Day We Left Him Behind
Graduation ceremony, 2014.
ENSAI engineering graduations carry weight. You are not just receiving a certificate — you are being received into a professional class. There are handshakes from the Director. There are photographs. Families travel from across the country.
Patrick graduated with honors. I graduated second in the cohort. We wore our gowns and stood tall and our families wept in that particular Cameroonian way — part joy, part relief, part "now go and feed us."
Mongo graduated too. Quietly. Without fanfare. His mother was there — a small, soft-spoken woman from the South who had sold condiments at a market for years to keep him in the programme. She held his engineering certificate with both hands and pressed it to her chest like it was a living thing. Mongo stood beside her with that same unbothered expression.
Patrick murmured to me, "Even his graduation has no energy."
We took no photographs with him.
We already had our eyes forward. I had applied to an environmental consulting firm in Yaoundé. Patrick was targeting a position at MINEE — the Ministry of Water and Energy. We were engineers. We were moving.
Mongo told someone quietly that he was "going back home to start something small."
We translated that as: Mongo has accepted defeat.
PART THREE — The Years That Taught Us
Year one after graduation, life performed exactly as I had written it in my mind.
The consulting firm took me. Decent salary. I rented a room in Yaoundé, sent money home, bought myself a small bag that looked professional. I was an engineer. I walked like one. I talked like one.
Patrick got a short-term contract position at MINEE. Temporary, but with promise — or so we told ourselves and each other.
By year three, the story began to rewrite itself without our permission.
My firm restructured. In Cameroon, "restructuring" is a soft word for a hard thing — someone above has eaten what was meant for those below. I was released with a handshake and two months' pay. I told myself it was temporary. I moved back to Ngaoundéré. I sent applications to every ministry, every NGO, every water board that had an email address.
Some replied. Most did not.
Patrick's contract was not renewed. He drifted to Douala chasing a consultancy tender that took eight months to be awarded — and when it was, it went to a man whose uncle sat on the evaluation committee. Patrick started doing small engineering reports for other people's projects. Half the work. A quarter of the credit. None of the billing rate an ENSAI engineer deserved.
We called each other regularly in those years. Two engineers — decorated ones — reminding each other of our credentials.
"The system is corrupt," Patrick would say.
"These connections, this tribalism," I would add.
We had excellent analyses of our situation.
None of them paid rent.
PART FOUR — The Name I Heard at a Funeral
I attended the funeral of a classmate's uncle in Ngaoundéré — a large compound funeral, the kind that takes three days and feeds three hundred people.
I was standing near the food line, holding my plate, when two men behind me began talking.
"You see this water system they installed for the whole compound? Clean, pressurized, no CAMWATER wahala — who did that?"
"Essomba's company. BM Essomba Environmental Solutions. The man donated the full installation as a funeral gift. Just like that."
"Which Essomba?"
"The engineer. Young man. He just finished a sanitation contract for two municipalities in Adamawa. Government contract. His office is in town."
My spoon stopped in the air.
BM Essomba.
Blaise Mongo Essomba.
I set my plate down. I found the compound host and asked, carefully, casually, like a man who was simply making conversation. Yes. Same person. ENSAI graduate. Environmental engineer. After graduation he had gone back to his home area and started fixing broken borehole pumps in villages — the work nobody wanted because it paid poorly and felt beneath a graduate. Then he learned water treatment systems. Then sanitation infrastructure. Then he registered a company. Trained a small team. Won his first government contract in 2019. Then a second. Then a third.
"He doesn't make noise," the host said, "but everywhere you go in this Adamawa, you will find his work on the ground."
I drove home that evening without the radio on.
PART FIVE — The Vacancy That Broke My Pride
Three months later, Patrick called.
"Armand. Have you heard about Mongo?"
"Something," I said carefully.
"He is recruiting. Senior Environmental Engineer position — Vina division project. Someone sent me the announcement. The company name is BM Essomba Environmental Solutions."
There was silence on the line. The kind of silence that carries weight.
Two ENSAI-trained engineers. Products of the national concours. Sitting in our separate small rooms, staring at a job vacancy posted by the man we spent four years calling l'ingénieur de secours.
"Will you apply?" Patrick asked quietly.
I did not answer immediately.
But hunger is a very efficient editor of pride.
I submitted my CV.
Mongo called me personally. His voice was exactly as I remembered — slow, warm, unbothered, like a man who had never once lost sleep over what other people thought of him.
He said nothing about the past. No "remember when you laughed at my answer in Dr. Hamidou's class." No score-settling. He simply said:
"Armand, I have seen your profile. You have solid experience. Come, let's talk."
His office was real — not a container, not a borrowed desk in someone else's building. A proper registered office with a receptionist, a company pickup truck outside carrying his logo, and a project map pinned to the wall showing active sites across three regions.
He offered me the position.
And then — only then — he leaned back in his chair and smiled that slow, unhurried smile.
"You know, I used to watch you and Patrick from the back row. You two were sharp. Fast. I admired that. I just knew I was going to take a different road to arrive."
That was all he said.
No insult. No triumph. Just the quiet confidence of a man who had never needed our validation — not then, and certainly not now.
I accepted the position.
EPILOGUE — What the Back Row Knew
Patrick is still in Douala. He is proud — the particular stubborn pride of a brilliant man who cannot yet reconcile his results with his self-image. He has not called Mongo. Perhaps he will, when the hunger speaks louder than the pride.
As for me — I arrive at BM Essomba Environmental Solutions every morning at seven-thirty. I work hard. I have stopped mentioning to people that I once ranked in the top fifteen in the national concours, because I have learned, slowly and painfully, that nobody is eating from a ranking that is ten years old.
On my first day, I noticed something on Mongo's desk.
A Pilot biro. No cap.
Same as university. I almost smiled — and then I stopped myself, because I finally understood. That biro was never a sign of carelessness.
It was just a man who cared about the work, not the packaging.
I am still learning to tell the difference.
Mock no one. The road is longer than your transcript, and you do not know whose gate you will be knocking on before it ends.
~ THE END ~
A KO.LI.KA Ventures Original Story

𝗛𝗼𝘄 𝗠𝘆 𝗥𝗼𝗼𝗺𝗺𝗮𝘁𝗲'𝘀 𝗟𝗼𝘃𝗲 𝗳𝗼𝗿 𝗘𝗮𝘀𝘆 𝗠𝗼𝗻𝗲𝘆 𝗖𝗼𝘀𝘁 𝗛𝗲𝗿 𝗛𝗲𝗿 𝗟𝗶𝗳𝗲 .𝗦𝗵𝗲 𝘄𝗮𝗻𝘁𝗲𝗱 a 𝗴𝗼𝗼𝗱 𝗹𝗶𝗳𝗲 — 𝘀𝗵𝗲 𝗻𝗲𝘃𝗲𝗿 𝗶𝗺𝗮𝗴𝗶𝗻𝗲𝗱 𝗶𝘁 𝘄𝗼𝘂𝗹𝗱 𝗯𝗲 𝘁𝗵𝗲 𝗹𝗮𝘀...
22/04/2026

𝗛𝗼𝘄 𝗠𝘆 𝗥𝗼𝗼𝗺𝗺𝗮𝘁𝗲'𝘀 𝗟𝗼𝘃𝗲 𝗳𝗼𝗿 𝗘𝗮𝘀𝘆 𝗠𝗼𝗻𝗲𝘆 𝗖𝗼𝘀𝘁 𝗛𝗲𝗿 𝗛𝗲𝗿 𝗟𝗶𝗳𝗲 .𝗦𝗵𝗲 𝘄𝗮𝗻𝘁𝗲𝗱 a 𝗴𝗼𝗼𝗱 𝗹𝗶𝗳𝗲 — 𝘀𝗵𝗲 𝗻𝗲𝘃𝗲𝗿 𝗶𝗺𝗮𝗴𝗶𝗻𝗲𝗱 𝗶𝘁 𝘄𝗼𝘂𝗹𝗱 𝗯𝗲 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝗹𝗶𝗳𝗲 𝘀𝗵𝗲 𝗹𝗶𝘃𝗲𝗱.

I still keep her pink comb on the windowsill.
I don't know why. Maybe because throwing it away would mean accepting that Cynthia is really gone. And some mornings, when the harmattan wind pushes through the louvres and moves the curtain just slightly — I almost turn around expecting to see her sitting on her bed, rubbing shea butter on her legs and humming that Afrobeats song she never remembered the full lyrics to.
But her side of the room is empty now.
And I am the one left to tell this story.
We met in first year. Room 14, Block C, off-campus lodge somewhere between Molyko and Bonduma. Six girls, three bunk beds, one bathroom that smelled like everybody's problems. Cynthia took the bed next to mine before I even arrived. When I walked in dragging my box, she looked up from her phone, smiled with all her teeth, and said —
"You look like someone who minds her business. I like you already."
That was Cynthia.
She was from Kumba. Second born of five children. Her father sold spare parts. Her mother farmed. She had come to UB to study Banking and Finance, and she used to joke that she would one day own a bank.
In first year, we were the same. Two-thousand francs for garri and groundnuts. Skipping breakfast to save data. Wearing the same jeans three days in a row and hoping nobody noticed. We borrowed each other's lecture notes, argued over who used the last of the bathing soap, and stayed up till midnight reading for exams under the one functioning bulb in the room.
I loved Cynthia then.
I loved who she was then.
Second year changed her.
I noticed it slowly, the way you notice a pot beginning to boil — not all at once, just small bubbles at first.
It started with the phone.
A Samsung. Brand new. She set it on her bed one evening like it was nothing and I asked her where she got it and she just smiled and said "a friend." Just like that. A friend.
Two weeks later — a bag. One of those bags that girls on Instagram post and tag expensive boutiques in Douala. I held it once. It smelled like real leather. It smelled like money I had never touched.
"Cynthia, who is giving you these things?"
She laughed. That big, generous laugh of hers.
"Babe, you dey worry too much. Man dey provide, make woman enjoy. Simple."
I didn't push. Maybe I should have. Maybe if I had pushed harder that night, sat her down, refused to let her laugh it off — maybe things would have ended differently.
But I didn't.
And she kept going.
His name — the first one — was Pascal.
I saw him once. He came to pick her up on a Friday evening in a black Hilux with tinted windows. He didn't come to the door. He just parked outside and called her phone. Cynthia rushed out wearing a dress I had never seen before, smelling like perfume I couldn't name, and she waved at me from the window of the car like a woman who had arrived somewhere I hadn't.
I watched the car disappear down the road toward checkpoint.
She didn't come back that night.
Or the next.
When she returned on Sunday, she had a new pair of shoes, a calm look in her eyes, and no explanation.
"Don't ask me," she said before I even opened my mouth. "Just know I'm fine."
I wanted to ask who Pascal was. What he did. Where he lived. Whether anyone else knew about him. But Cynthia had a way of shutting doors with her smile, and I had learned not to knock on doors she had closed.
Pascal disappeared after about six weeks. I don't know why. She never told me.
Then came another one. Then another.
Each one with a car. Each one she never talked about. Each one she met at some party, a nightclub or a lounge in Douala she had been taken to on a weekend. She stopped asking me for lecture notes. She started missing morning lectures. Her Banking and Finance textbooks began gathering dust on the shelf while her wardrobe quietly transformed into something that didn't belong in a student lodge in Molyko.
Our other roommates whispered. She ignored them.
I worried. She told me I was being old-fashioned.
"These men have money," she said one night, moisturising her arms in the dark. "You think I have time to ask them how they got it? I didn't come to Buea to suffer."
I was quiet for a long time.
"Cynthia — don't you want to know who you're dealing with?"
She turned off her lamp.
"Goodnight, Sandra."
The last man — I never even learned his name.
She never said it. Not once. She only ever called him "my person." Said he was different from the others. Said he actually cared about her. Said he was taking her somewhere for her birthday in March and she was already thinking about what to wear.
I noticed things, though. Small things.
The way she lowered her voice when she was on the phone with him. The way she angled her screen away when she texted. The way she sometimes stared at nothing after she'd spoken to him, like a person doing quiet calculations in her head.
Once, I saw a name flash briefly on her screen before she flipped it over.
I only caught two letters.
"B.B."
I didn't ask. By then, she had made it clear there were things she didn't want me knowing.
And then June came.
It was a Tuesday. Early morning. The kind of cold Buea morning where the mountain fog sits so low it looks like the town is being swallowed.
Cynthia had gone out the previous evening. She'd worn a red dress — the one with the thin straps. She'd borrowed my small earrings, the gold ones my mother had given me. She'd smelled wonderful.
"Don't wait up," she said at the door.
I waited up anyway.
She didn't come home.
By Wednesday I was calling her phone. It rang. Then it stopped ringing. Then it went to voicemail.
By Thursday, one of our roommates said she'd heard something.
I didn't want to hear it.
But she told me anyway.
And I sat on my bed, on my side of the room, staring at Cynthia's pink comb on the windowsill —
And I understood then that some doors, once shut, never open again.
I will tell you what happened.
But not yet.
Because I need you to understand first that Cynthia was not a bad person. She was a girl from Kumba who was tired of being poor. She was a girl who wanted things and saw a shortcut and took it without knowing where it led.
She was my friend.
And I miss her every single day.
— To be continued —
Next: Sandra finally learns who "B.B." really was — and why the police came to Block C on a Thursday morning asking questions nobody in that lodge wanted to answer.
Follow for more stories

𝐇𝐎𝐖 𝐌𝐘 𝐅𝐀𝐓𝐇𝐄𝐑 𝐂𝐀𝐌𝐄 𝐁𝐀𝐂𝐊 𝐒𝐈𝐂𝐊 𝐀𝐍𝐃 𝐅𝐑𝐔𝐒𝐓𝐑𝐀𝐓𝐄𝐃 𝐀𝐅𝐓𝐄𝐑 𝐇𝐄 𝐀𝐁𝐀𝐍𝐃𝐎𝐍𝐄𝐃 𝐔𝐒 𝐖𝐈𝐓𝐇 𝐎𝐔𝐑 𝐌𝐎𝐓𝐇𝐄𝐑 𝐅𝐎𝐑 𝐀 𝐃𝐎𝐔𝐀𝐋𝐀 𝐖𝐎𝐌𝐀𝐍I was four years old...
22/04/2026

𝐇𝐎𝐖 𝐌𝐘 𝐅𝐀𝐓𝐇𝐄𝐑 𝐂𝐀𝐌𝐄 𝐁𝐀𝐂𝐊 𝐒𝐈𝐂𝐊 𝐀𝐍𝐃 𝐅𝐑𝐔𝐒𝐓𝐑𝐀𝐓𝐄𝐃 𝐀𝐅𝐓𝐄𝐑 𝐇𝐄 𝐀𝐁𝐀𝐍𝐃𝐎𝐍𝐄𝐃 𝐔𝐒 𝐖𝐈𝐓𝐇 𝐎𝐔𝐑 𝐌𝐎𝐓𝐇𝐄𝐑 𝐅𝐎𝐑 𝐀 𝐃𝐎𝐔𝐀𝐋𝐀 𝐖𝐎𝐌𝐀𝐍

I was four years old when my father left.
I know people will say — how can you remember anything at age four? And they are right, I do not remember much. But I remember the specific sound of a door closing at night when it is not supposed to close. I remember my mother's face the next morning — not crying, not shouting — just very, very still. The kind of still that is more frightening than noise.
And I remember his shoes. Brown leather shoes near the door that were there when I slept and gone when I woke up.
That is all a four-year-old keeps. A sound. A face. A pair of absent shoes.
Everything else, I learned by growing up.
My name is Mba Susan. I am the firstborn of four children. After me came Blaise, then the twins — Caro and Confidence — who were barely two when our father, Mba Thomas, packed his brown shoes and his selfishness and followed a woman named Solange to Douala.
Solange. I have said that name so many times in my life, in so many tones — with anger at fifteen, with curiosity at twenty, with something close to pity at thirty — that it has lost all its edges. It is just a name now. A name attached to a choice that shaped everything that came after.
My mother's name is Ngum Dorothy. And this story is really about her, even though I am the one telling it.
We grew up in Nkwen, on the outskirts of Bamenda. Our house was a three-room structure with a zinc roof that sang loudly every time it rained, which in Bamenda is frequently. Mama rented two of the three rooms to lodgers and squeezed the four of us into the remaining one, sleeping on a mattress she had bought in instalments from a shop along Commercial Avenue.
She woke up at 4:30 every morning. By 5AM she was at the market, buying vegetables to resell. By the time we woke up for school, she was already back, already sorting tomatoes, already calculating.
She paid our school fees by selling tomatoes. She bought our uniforms by selling tomatoes. She attended our PTA meetings smelling of tomatoes and sitting in the front row with her back straight, daring any teacher to tell her something about her children that she had not already handled.
I never once heard her say our father's name with bitterness.
When I was seven and asked where Papa was, she said: "He is in Douala. He has his life there."
When Blaise was ten and fought a boy at school who called us fatherless, she sat him down and said: "You are not fatherless. You have a mother. A mother is two parents combined when she has to be."
That was all. No cursing. No drama. No long explanation. Just a woman who decided that her energy was too valuable to waste on absence.
I watched her do this for twenty-six years.
And then one Saturday morning in October, a taxi stopped in front of our compound — we had a proper compound by then, Mama had finished building her own house in Small Mankon — and a man climbed out slowly, holding a wooden walking stick.
Old. Thin. Moving carefully the way people move when their body has started giving them warnings they can no longer ignore.
My youngest sister Confidence saw him first from the window. She came to the kitchen where I was helping Mama cook and said, very quietly:
"Susan. There is an old man at the gate. He says he is our father."
The kitchen went silent.
Mama's spoon stopped stirring.
I looked at her face.
She looked at the pot.
Then she said, in the same calm voice she had used my entire life: "Go and hear what he wants."
I went outside alone. My siblings stayed inside — Blaise by the window, I could feel him — and I walked to the gate and looked at this man through the iron bars.
He was sixty-one years old. I knew his age because I knew my mother's age and I knew they had married young. But he looked older than sixty-one. He looked like a man who had made hard choices and allowed those choices to live on his face.
He saw me and something crossed his expression — recognition, guilt, something rehearsed that he had probably practised in the taxi on the way here.
"Susan," he said.
My name in his mouth felt strange. Like hearing a song played on the wrong instrument.
"Uncle," I said. Because I had decided, somewhere between the kitchen and the gate, that I would not give him a title he had not earned.
He winced. Just slightly.
"I am your father."
"I know who you are," I said. "What do you want?"
He looked at the ground. The walking stick shifted in his hand.
"I am sick," he said. "Solange... she left. Five years ago she left. I have been alone in Douala. I have prostate problems. My landlord chased me last month. I have nowhere—"
"Uncle," I said again, and my voice surprised me with how steady it was. "How many of my school fees did you pay?"
He said nothing.
"How many times did you send money when Mama was sick in 2009? When Blaise almost dropped out of GCE because we had no money for the exam fees? When the twins needed school shoes and Mama sold her good wrapper to buy them?"
He gripped the walking stick tighter.
"I made mistakes," he said. "I know I made mistakes. I am asking for forgiveness—"
"I forgave you," I said, and I meant it completely. "I forgave you a long time ago. Unforgiveness was going to cost me more than you ever did."
He looked up, a small light of hope in his eyes.
"But forgiveness," I continued, "does not mean I open this gate. You did not build what is behind this gate. You do not get to rest in what you did not build."
The light went out.
I went back inside.
Mama was still at the stove. Still stirring. But I noticed she had reduced the fire, the way you do when you are not really concentrating on cooking.
"What did he say?" she asked.
"He is sick. Solange left him. He has nowhere to go."
The spoon moved slowly.
"And what did you tell him?"
"I told him I forgave him. And I told him he cannot come in."
Mama was quiet for a long time. The stew bubbled softly. Outside, I could hear the taxi that had brought him, still idling — he had not dismissed it yet, I realised. He had not been sure enough of his welcome to dismiss the taxi.
Then Mama did something I did not expect.
She turned off the stove. Wiped her hands on her apron. Walked past me to the window and looked out at him for a long, long moment — this man she had loved young and lost, this man she had mourned quietly and then rebuilt her life beyond.
She watched him standing at the gate with his walking stick, an old man who had gambled his family on a woman who eventually left anyway.
Then she turned back to the kitchen.
"Dish some food," she said quietly. "Put it in a flask. Blaise will take it to him at the gate."
I stared at her.
"Mama—"
"He will not come inside this house," she said firmly. "But I will not send a hungry man away from my gate. That is not who I am."
Blaise carried the flask to the gate. He set it down in front of our father without a word, turned, and walked back inside. He did not look back.
Our father stood there for a moment. Then he sat on the low wall beside the gate — slowly, painfully — and opened the flask.
I watched from the window.
He ate alone, outside the gate of the house he had never built, in the compound he had never watered, under the mango tree his children had planted the year Mama finished construction. He ate the food cooked by the woman he had abandoned, served by the son who had learned to be a man without him.
He ate all of it.
When he finished, he closed the flask and sat for a while longer, looking at the house.
Then he called the taxi.
And he left.
He came back twice more after that. We gave him food both times. We did not let him inside either time. On his third visit he brought a letter — handwritten, five pages, everything he had never said — and slipped it under the gate.
Mama read it alone in her room that night. I do not know what was in it. I never asked. That letter was between her and a version of her life that belonged only to her.
What I know is that she folded it carefully and put it in the tin box where she keeps important documents. Not the bin. The tin box.
I think that means something. I am not sure what.
Mba Thomas died eight months after his first visit. In a small rented room in Bamenda town, cared for at the end by a church welfare group who visited the sick and elderly. The nurse who attended him told us he had kept a photograph on his bedside table.
It was not Solange.
It was a photograph from 1991. A young woman in a floral dress holding a baby outside what looked like a church. The baby was wearing a white dress with a lace collar.
Mama identified the dress immediately when the nurse described it.
It was my baptism photograph.
He had kept it for thirty years. Through Douala. Through Solange. Through everything. A four-year-old girl in a lace collar on a day he still remembered as the best day of a life he later broke.
I cried when I heard that.
Not for him exactly. Not for me. For all of it — the whole long, wasteful, irreversible sadness of a man who had something real and chose to leave it, and spent the rest of his life carrying a photograph of what he had walked away from.
My mother did not cry at the funeral. She sat in the front row — because whatever else he was, he was the father of her children, and she would not dishonour that — dressed in black, back straight, exactly the way she had sat in PTA meetings all those years ago.
After the burial, a woman came and stood beside Mama for a moment. Older. Tired-looking. A little lost.
I recognised her before Mama did.
Solange.
Also widowed, I realised. Also at the funeral of the man who had left his family to be with her. Also, in the end, left behind.
The two women looked at each other.
I held my breath.
Mama nodded once. Slowly. The way you acknowledge something that is true and painful and finished.
Solange nodded back.
Neither of them spoke.
There was nothing left to say.
I am thirty years old now. I have a daughter of my own — three years old, loud, impossible, the best thing I have ever seen. Her father is a good man who has never once made me question whether he will still be there in the morning.
I chose carefully. I watched my mother for twenty-six years and I learned what a woman looks like who holds everything alone — and I swore that I would build something that did not require that kind of strength.
Some lessons you learn in school.
The most important ones, you learn watching your mother stir a pot quietly after the man who broke her heart shows up at her gate with a walking stick and nowhere left to go.
And you learn what grace looks like when she dishes him food anyway.
Not because he deserved it.
But because she had decided, a long time ago, that her character would never be determined by someone else's failure.
My mother, Ngum Dorothy, is fifty-eight years old.
She still wakes up at 4:30.
Old habit, she says.
Or maybe some rhythms, once they save your life, never fully leave you.
— Mba Susan, Bamenda
Firstborn daughter. Her mother's greatest student.
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"𝐈 𝐖𝐞𝐧𝐭 𝐭𝐨 𝐒𝐮𝐫𝐩𝐫𝐢𝐬𝐞 𝐌𝐲 𝐆𝐢𝐫𝐥𝐟𝐫𝐢𝐞𝐧𝐝 𝐚𝐧𝐝 𝐅𝐨𝐮𝐧𝐝 𝐚𝐧 𝐄𝐧𝐯𝐞𝐥𝐨𝐩𝐞 𝐓𝐡𝐚𝐭 𝐂𝐡𝐚𝐧𝐠𝐞𝐝 𝐄𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠"The Landlord's ConditionAs told by Elvis...
21/04/2026

"𝐈 𝐖𝐞𝐧𝐭 𝐭𝐨 𝐒𝐮𝐫𝐩𝐫𝐢𝐬𝐞 𝐌𝐲 𝐆𝐢𝐫𝐥𝐟𝐫𝐢𝐞𝐧𝐝 𝐚𝐧𝐝 𝐅𝐨𝐮𝐧𝐝 𝐚𝐧 𝐄𝐧𝐯𝐞𝐥𝐨𝐩𝐞 𝐓𝐡𝐚𝐭 𝐂𝐡𝐚𝐧𝐠𝐞𝐝 𝐄𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠"

The Landlord's Condition
As told by Elvis
I swear on my mother's grave, if anyone had told me that a bag of rice and twelve thousand francs could destroy six months of love, I would have laughed. I would have laughed until my ribs hurt. But here I am, telling you this story, because it happened to me. My name is Elvis. And this is about Evete — my Evete — and a man named Mr. Kuh Pascal who I will never forget for the rest of my life.
We came to the University of Buea the same year. Evete was from Muyuka, I was from Mamfe. We met during registration week at the Faculty of Arts queue, both of us holding our documents, both of us sweating, both of us lost. She laughed at something I said — I don't even remember what — and that laugh, ehhh. That laugh entered my chest and never left.
By November we were inseparable. By December people were already calling us husband and wife.
The problem was accommodation.
The hostels were full, and the private rooms around Molyko were going for thirty-five, forty thousand francs per month — money neither of us had comfortably. I was managing on what my uncle sent from Douala. Evete's family back in Muyuka were farmers. Good people, honest people, but not people who had extra.
So when Evete called me one evening, voice sounding somehow — not sad, not happy, just somehow — and said she had found a room in Bomaka, I was relieved.
"How much?" I asked.
She paused.
"Evete. How much?"
"Eight thousand," she said.
I pulled the phone from my ear and looked at it. Eight thousand francs per month in Bomaka? For a self-contain? I put the phone back.
"Eight thousand?"
"Ehh."
"Who is the landlord?"
Another pause.
"His name is Mr. Kuh Pascal. He's an old man, Elvis. He said he likes to help students. He has two other tenants — girls — they're fine, nothing is wrong."
I didn't like the pauses. But I was a young man in love and I was stupid, so I said okay.
The room was nice. Too nice for eight thousand. Fresh paint, good door, a small corridor all to herself. The compound was clean. Mr. Kuh Pascal himself — I met him the day we carried her things — was a man of about fifty-something. Pot belly. Gold watch. One of those men who smile with their mouth but not their eyes.
He shook my hand and said, "You must be the boyfriend."
"Yes sir," I said.
He nodded slowly, looking at me the way a man looks at something he doesn't consider a threat. That look. I recognized it but I could not name it that day.
"Take care of her," he said, and walked away.
Something turned in my stomach. But I said nothing.
The first sign came in February.
Evete called me excited — Mr. Kuh Pascal had given her a bag of rice. A full bag. Plus two gallons of groundnut oil.
"Why?" I asked.
"He said he gives all his tenants. Is a gift."
I said okay. Hungry students don't ask too many questions about free food.
The second sign came in March. Her rent for that month — he told her to forget it. She didn't need to pay. She was a "good tenant." He was "just being kind."
I didn't like it. I told her I didn't like it. She told me I was being paranoid, that not all men had bad intentions, that I was behaving like a jealous village boy. We argued. We settled. I said nothing more.
But I started visiting more often.
The thing that broke everything happened on a Tuesday. I had a cancelled lecture at 9 o'clock and instead of going to the library I decided to pass by Bomaka. I didn't call ahead. I just came.
I knocked. No answer. The door was not locked — Evete rarely locked during the day — so I pushed it open and entered.
She wasn't inside.
But on her reading table, I saw a phone. Not her phone — her phone was the small Tecno with the cracked screen I knew better than my own hand. This one was a Samsung. Neat. Expensive. And beside it, an envelope.
I am not a man who goes through people's things. I want you to know that. But something — God, instinct, whatever you want to call it — made me open that envelope.
Inside was twenty-five thousand francs. And a small piece of paper, handwritten.
"For your data and personal needs. You are a good girl. From Pascal."
I was still standing there holding that paper when Evete walked in from the bathroom, towel around her, and froze when she saw me.
The look on her face told me everything I needed to know before she said a single word.
I will not lie to you. I did not handle it well.
I raised my voice. She cried. I raised my voice more. She said nothing was happening, that he was just a generous man, that she had not asked for anything. I asked her why she hadn't told me about the phone. She said she knew I would react exactly like this. I asked her what exactly this was. She had no answer.
"Have you given him anything, Evete?" I asked. Quietly this time. The dangerous kind of quiet.
She looked at the floor.
"Evete."
"He kissed me," she whispered. "Once. Last week. I pushed him away. I swear, Elvis. I swear to God I pushed him away and told him never again."
The room became very small.
I put the paper back in the envelope. I put the envelope on the table. I looked at the Samsung phone for a long time. Then I walked out.
I went to Mr. Kuh Pascal's door.
I knocked.
He opened it, saw my face, and tried to close it back. I put my hand on the door.
I am not going to tell you everything that happened in the next ten minutes. What I will tell you is that I spoke to that man in a way that I am not proud of, and in a way that I do not regret. I told him what kind of man he was. I told him what I thought of men who hunt young girls who have no money, who use kindness as a trap, who know exactly what they are doing when they hand a broke student an envelope.
He told me I should be grateful someone was taking care of what I couldn't.
That was the wrong thing to say.
I will leave the rest to your imagination.
Evete moved out of that compound within the week. She found a place with two other girls in Molyko — thirty-two thousand split three ways. I helped carry her things. We didn't talk much that day.
We didn't break up. Not officially. But something broke that day that neither of us talked about directly. Like a bone that heals wrong — it's there, it works, but it's never quite straight again.
She still calls. I still pick up. We are still something.
But I think about that handwritten note more than I should. "You are a good girl." Written by a man who knew exactly what he was offering and exactly what he expected in return.
And I think about those pauses. Those pauses when I asked her questions on the phone.
She knew. Deep down, she knew what kind of man he was from the beginning.
And she chose the eight thousand francs.
I understand why. I was there — I know how hard it was. I don't even fully blame her.
But understanding something and being at peace with it are two very different things.
And some nights, I'm still not at peace.

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